Her own description of her self, The Rhythm Goddess, is meticulously proven here.
The lines between bass (or melody) and kicks are completely blurred or even you could feel that the concept of rhythm is challenged, and as you tune up yourself to new "rhythm", you realise that it's actually keyboard riffs that structures rhythm. This is an occasion I appreciate music, in which there's a sensation of liberation.
I literally feel like crying every time I blast off Koko from my system. T2DÄS